"The Scorchers Have Taken the Town" 1897

Humor of sorts, apparently

From "The Wheel and Cycling Trade Review" issue for June 18, 1897.

When they whiz by ~

Mark, mark!
The dogs do bark;
The scorchers have taken the town;
Some in rags and a few with jags,
But every mother's son of them with a wild and almost uncontrollable desire to run somebody down.

I have blogged about what a "scorcher" was in the 1890s before.

American View of Russian Cycling, 1895

Американский обзор езды на велосипеде в России 1895


Article text from "The Referee and Cycle Trade", November 18, 1895

The full text of this (alas) unillustrated item is above, but I provide some highlights below.

CHANGING THE RUSSIAN - The Bicycle Said to Be Putting a New Face on Muscovite Characteristics.

. . . Not only does the new steed rule in the hurried Anglo-Saxon lands and in the busy Germany, but the Gaul and the Slav and the women of both have been swept away by the fashion and the Bois de Boulogne and the winding alleys of Yelaguine island are even as Battersea park. . .

and this extended reference to Tolstoy~

Carry the cycle into the world of thought; we can see at once that it has effected, or is effecting, a vast and subtile change. Already the mysticism of the Slav character must have received its deathblow. Introspection is essential to the mystic. Now, he who cycles (also she), if he introspects, is sure to be reminded with painful suddenness of the solidity of externals. Even a Russian mystic will become more practical after running into a steam-roller or down the bank of a canal. The familiar types of Muscovite fiction will vanish or remain but as fossils in a museum. The Tolstoic creed (which is not, by the way, the Tolstoic practice) of property, asceticism and non-resistance is blown to the winds in a sprint through the parks. Preach to a cyclist that all cycles, his own in particular, should be the property of everybody; that it is his duty to abstain from riding, especially on his own machine; and that he must take cheerfully the cutting of his tires—and in a second you will be preaching to the eddying dust, while the breeze bears back to you the lessening sound of a scornful toot.

Fanciful Bicycle Ad from 1896 - Egypt & the Pyramids

From "The Referee and Cycle Trade Journal." January 9, 1896.

This was a trade publication that normally did not have color advertising - at this time there was a bicycle show in Chicago, so apparently this company chose to pay for a "premium" ad.

The bookplate at the front of the bound volume which contained this issue identifies it as having been part of the Patent Office library collection originally, but it was apparently transferred at some point to the Smithsonian. The Smithsonian has been having some older materials digitized by the Internet Archive at the Library of Congress resulting in interesting "finds" like this.

Bordeaux-Paris Winner 1896 and Simpson Chain

The Jules Beau photo albums have wonderful photographs of cycling from the 1890s and intot he next decade. Here is link to volume 3 for 1896. Below is one of the photographs from it.


Arthur Linton, who tied for the victory in the 1896 Bordeaux-Paris race

Title : [Collection Jules Beau. Photographie sportive] : T. 3. Année 1896 / Jules Beau
Author : Beau, Jules (1864-1932). Photographe
Date of publication : 1896
Subject : Sports -- France -- 1870-1914
Subject : Cyclisme

Mr. Linton from Wales tied the race that year and was given flowers, according to what is in the album, from the Gladiator factory. This is another image that shows the Simpson bicycle chain that I discussed in a previous blog post.

Simpson Chain Shown on Gallica - 1896 Innovation

Two women riders, Lisette and Eteogella, riding bikes with "Chaîne à levier Simpson"

In this photo album with mostly photographs of then-famous French and other cycling racers there is this page with two photographs of women on bicycles (or more likely, what is one bicycle, a Gladiator) equipped with a "Simpson chain", which was considered a way of gaining a slight mechanical advantage over a traditional chain (that is a chain fundamentally the same as what we use today).

The chain consisted of a series of metal triangles with pins at the corners (see this illustration) so that along the inside it was much like an extended version of a present day chain (with the pins a bit further apart). Each link was matched by two other links extending out to a third pin. In the front the force was transferred the same as a bicycle today with teeth into the inside links, but at the rear the force was transferred by the pins on the outside edge. It gave the bikes that used them a distinctive appearance since the chain stood out.

Apparently there were match races to prove the superiority of this chain but ultimately not enough were convinced and people with some engineering experience decided that there was in fact no mechanical advantage to this chain. Certainly it added to the complexity of the drive train of the bikes that used it and to some extent the weight. There don't seem to be lots of photographs of this chain on the Internet on bikes, and although these are somewhat low resolution, they show it reasonably well.

Finding Lucien Lesna, French Cyclist

I browse bicycle-related items in the Library of Congress Prints & Photographs Online Catalog (PPOC) from time to time. Sometimes it is not that easy, given the descriptive metadata provided, to understand what or who some photographs are.


Identified in this Copyright deposit simply as "Lesna"

I happened upon this photo that came to the Library originally as a copyright deposit, presumably from the photographer's studio ("Van Norman Studio" that is applied to the photo). The only description that the Prints & Photographers had was his name, Lesna, which they did work out was his name.

Here is the minimalistic but better-than-nothing descriptive portion of record in PPOC:
Title: Lesna / Van Norman.
Creator(s): Van Norman, George H., photographer
Date Created/Published: c1898.
Medium: 1 photographic print.
Summary: Lesna on bicycle.

Now before I move on to what else I learned about Mr. Lesna (and how I learned it), a comment about this image. In the record, it says: Reproduction Number : LC-USZ62-99752 (b&w film copy neg.) What this means is that this image was not produced from the original photograph that was deposited at the Library of Congress but that at some point (decades ago, most likely) someone paid to have a copy made of that photograph for which there is a "b&w film copy neg."[ative] and that negative was digitized. This is a reproduction of a copy, not the original.

Also, the only JPEG provided on the Library of Congress site is a not-terribly-good 37 kb version - if you look at it closely, there are haloing artifacts and general mushiness. This was done years ago when smaller JPEGs seemed like a good idea for speedy delivery. If you look at the JPEG I produced with IrfanView from the TIFF that is also available on the LC site, it also has some mushiness issues (likely reflecting the copy negative and not the original) but you can certainly make out more detail. The smaller version embedded in this page looks nicely sharp compared to the slightly larger (in height/width in pixels) 37 kb LC version. So . . . it may be worthwhile if you want to look at details to use the TIFF (or create your own derivative) and not rely on the LC JPEG. But with a digital reproduction of a photographic reproduction you are only going to get so much detail in any event.


Haloing in LC JPEG visible around writing and spokes

So, knowing only that this was someone named Lesna who was in one of many towns named Springfield in the U.S. around 1898, how did I learn more? Like any sensible person, I started with Wikipedia. Simply searching "Lesna" brings up various towns - "Lesna" means "spring" (the season) in several Slavic languages and apparently is used for a town name. Searching "lesna cyclist" locates articles about several French bicycle races from the right time period where someone named "Lucien Lesna" won, for example Bordeaux-Paris in 1901. Alas Lucien Lesna has no article in Wikipedia - or rather, in the English Wikipedia. But in the French version there is a short article listing some of his victories (but no biographic info). And it has the same photo from LC. (The person who put it into Wikicommons also decided the LC JPEG was crummy and he or she produced a JPEG about the same size as the one I ended up with. Ha.)

With this knowledge that Lesna was a French cyclist, how did he come to be photographed in one of the many Springfields? Presumably he was on a racing tour of America. And in fact, a search of Chronicling America brings up this page with this headline: "MORE RECORDS SMASHED Michael Defeats Lesna in the Great Twenty-Mile Race. The Frenchman Makes a Gallant Fight" that is datelined "Springfield, Mass." September 16, 1897. (So apparently the photographer only deposited at LC the following year.)

Fifteen thousand people howled Jimmie Michael, the Welsh wonder, around the track at the bicycle races this afternoon for twenty miles until he finished over an eighth of a mile ahead of his rival, Lucian Lesna, and established a world's record for sixteen miles and upwards. The contest was a beautiful exhibition of bicycle riding and Michael's superior pacing and fine head work contributed to his victory.

Illustration for article in San Francisco Call about Lesna

Another article in the The San Francisco Call from June 4, 1897 describes his arrival in America from Australia.

LUCIEN LESNA, CHAMPION CYCLER - He Is the Greatest Long Distance Rider in the World. Arrived Here Yesterday From a Successful Pilgrimage to Australia. Can Ride Twenty Miles at a Two Minute Gait,and Now Holds All Australian Records - Lucien Lesna, the champion cyclist of France and also the champion long-distance rider of the world, arrived here yesterday morning on the steamer Mariposa from Australia and is stopping at the Palace.

Thanks in part to Mr. Lesna's uncommon name and in part to the large amount of newspaper content digitized and searchable, it is possible to find out rather a lot!

Contented Woman Cyclist (1896 Poster)

Ride a Stearns [bicycle] and be content

From the Library of Congress' poster collections.

Title : Ride a Stearns and be content / J. Ottmann Lith. Co., Puck Bld'g, N.Y.
Creator(s): Penfield, Edward, 1866-1925, artist
Date Created/Published : [1896]
Medium : 1 print (poster) : chromolithograph ; 152 x 116 cm.
Summary : Poster advertising Stearns bicycles, showing a woman cyclist.
Reproduction Number : LC-USZC4-6645 (color film copy transparency)

This is a scan of a color transparency copy of the original and not a direct scan of the original item. I have cropped and rotated the image that is on the LoC site, which is here.

what is not so clear to us today from the poster is that the rider is coasting - since this is a "fixed gear" where is no coasting with feet on the pedals. In order to coast, you put your feet up on small posts on either side of the fork (that are not visible, but are there) while the pedals continue to go around.


A clearer image of coasting from 1896

In the example above, you can see that this bike does have a single brake for the front wheel, which is a "spoon brake" that is activated by a rod that presses down against the front tire. Trying to stop a coasting bike that didn't have a brake would involve somehow getting your feet back on the spinning pedals - not so easy.


Another woman rider coasting - she looks happier than just "content"