The Bicycle Girl (1895)

Sheet music from 1895 with cover photograph of woman riding bike

https://www.loc.gov/item/2017562127/
Title-The bicycle girl
Contributor Names
Meacham, F. W., composer.
Oddfellow, Avery, lyricist.
Schwalbach, Alex, dedicatee.
Created / Published-Brooklyn, N.Y. : Published by Hedenberg and Oakin, [1895] ©1897
Subject Headings
- Popular music--United States--To 1901
- Feminist music--United States
- Bicycles--Songs and music
Genre-Songs, Scores
Notes
- For voice and piano.
- Includes a photograph of a woman riding a bicycle.
- "Respectfully dedicated to Alex Schwalbach, Manager, Wilson Myers Company."
Medium-1 score (5 pages) : photograph ; 36 cm
Call Number/Physical Location-M1622 .M
Digital Id
hdl.loc.gov/loc.music/mussuffrage.mussuffrage-100007
Library of Congress Control Number-2017562127
Online Format-image
Description- For voice and piano. Includes a photograph of a woman riding a bicycle. "Respectfully dedicated to Alex Schwalbach, Manager, Wilson Myers Company."
LCCN Permalink
lccn.loc.gov/2017562127


Detail - just the photograph (click through to Flickr to see more detail)

The suffragette connection to cycling is made in this sheet music collection:

In 1896 Susan B. Anthony declared, "Let me tell what I think of bicycling. I think it has done more to emancipate women than anything else in the world." The Music Division's sheet music collections feature countless titles referencing and depicting the "new woman" or the "coming woman," frequently wearing bloomers and/or riding a bicycle. And Anthony was not the only suffragist to sing the bicycle's praises; in Elizabeth Cady Stanton's own words: "The bicycle will inspire women with more courage, self-respect, and self-reliance and will make the next generation more vigorous of mind and body; for feeble mothers do not produce great statesmen, scientists and scholars." To read more about the significance of the bicycle to the suffrage movement, see Sue Macy's book, Wheels of Change: How Women Rode the Bicycle to Freedom.

https://www.loc.gov/collections/womens-suffrage-sheet-music/articles-and-essays/highlighted-sheet-music-selections/

As with much photography of this period, this was shot in a studio, posed. One presumes (or at least hopes) that this young woman was in fact a cyclist and further that her pins are some kinds of awards for cycling, but it isn't certain (to me, at least).

The Cost of Cycling for the "Modern Athletic Girl" of 1896

WHAT THE "MODERN ATHLETIC GIRL COSTS. The Various Items of the Necessary Summer Sporting Outfit. From The Journal newspaper (New York), Sunday June 26, 1896 (https://www.loc.gov/resource/sn84031792/1896-06-28/ed-1/.

The Journal newspaper of 1896 in New York carried far more pages than other urban newspapers in the U.S. at the time and worked hard to fill the pages up with various kinds of human interest material. 1896 was the height of the so-called "bicycle craze" in the U.S. so here we have an article that combines that topic with women and sports. Probably because of the exceptional popularity of bicycling at the time, it is discussed first, then golf, hunting, and other sporting endeavors. Cycling is also given here as the most expensive at almost $200.

The father of an up-to-date society girl who decided to take up athletics this Summer consented with pleasure to buy his daughter a $100 wheel, thinking that $125 at the highest would be all the money necessary for him to spend on her bicycle outfit. The following Is an' Itemized account of the bills which were sent him for everything pertaining to her bicycle outfit: Bicycle, $100; lamp, $5; cyclometer, $1.25; bell, 50 cents; foot pump, $1.50; bicycle stand, $2.50; lock, 50 cents; silver name plate, $2; knee protector, $3.50; Summer bicycle costume, made to order of linen homespun, $25; linen knickerbockers, $5; one pair low bicycle shoes, $4; one pair boots, $6; three pairs of silk stockings, $G; three pairs golf stockings, $6; linen hat to match suit, $3; six shirt waists, $18; pair of gloves, $1.35, making a total of $191.10.

Arguably the amount and cost of the "required" clothing is intentionally varied and high in order to support the article's point that such activities are expensive; it is more interesting to see what are given as typical accessories, including lamp, cyclometer (measuring distance covered), bell, footpump, stand, and lock. (I wonder how the lock would have worked - in looking at ads and articles about cycling at the time, I have not commonly observed a lock set-up for bicycles.)


Detail of above illustration with woman on bicycle

Unusual Bicycle Messenger Photograph

Telegraph messenger, Berlin - during WWI

http://hdl.loc.gov/loc.pnp/ggbain.19641 persistent link to this Library of Congress collection item, a digitized Bain News Service photograph.

Bicycle messengers in the US 100 years ago or so were usually teenage boys, hardly old enough to serve in the army, but apparently in Berlin this was not the case since with the men off serving, this woman was a bicycle messenger. Her attire, with long skirt, is not particularly practical for this activity (but it could have been worse). Her single-speed bicycle with a simple spoon brake with a step-through frame is probably not inferior to a mens that would have been used for this purpose at the time.

Presumably this photograph was taken before the United States joined the war against Germany.

Overman Wheel Co. Victor Bicycle Lithograph

Three women on bicycles

Will H Bradley was the American illustrator who did this, which was to be included in an issue of Harper's Magazine. Published in 1895, this is just before the height of the "bicycle craze" of the 1890s.

This is an for the Overman Wheel Company and their Victor bicycles.

www.loc.gov/item/2002721219/

Title-Victor bicycles, Overman Wheel Company, Boston, New York, ... / Will H. Bradley
Summary-Three women on bicycles.
Created / Published-1895.
Notes
- Lithograph printed by Harper & Brothers, New York.
- Reverse: cover by M. Parrish for Harper's Weekly, Christmas, 1895 [can't see since encapsulated with backing sheet].
- Promotional goal: US. D41. 1895; US. K22. 1895.
- This record contains unverified, old data from caption card.
Medium-1 print (poster) : color.
Call Number/Physical Location-POS - US .B732, no. 25 (B size) [P&P]
Repository-Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA>
Digital Id-cph 3b49660 //hdl.loc.gov/loc.pnp/cph.3b49660; cph 3a17246 //hdl.loc.gov/loc.pnp/cph.3a17246; cph 3a29202 //hdl.loc.gov/loc.pnp/cph.3a29202
Library of Congress Control Number-2002721219
Online Format-image
Description-1 print (poster) : color. | Three women on bicycles.
LCCN Permalink-lccn.loc.gov/2002721219


This poster, also be Bradley for Overman, is probably better known.
Title: Victor Bicycles Overman Wheel Co. / / Bradley.
Creator(s): Bradley, Will, 1868-1962, artist
Date Created/Published: Boston : Forbes Co., [1896]
Medium: 1 print (poster) : lithograph, color.
Summary: Poster advertisement for Overman Wheel Company's Victor bicycles, showing a woman watching another woman riding a bicycle. Includes art nouveau style flowers.

OOPS! I eventually realized that I blogged separately about these two different items some years ago. Here, however I consolidated the information. And expanded it, slightly. Oh well!

Paris Poster Featuring Cyclist-Photographer

Note the camera attached to the handlebars

Title-Première Exposition Internationale de Photographie
Summary-Woman riding a bike with a camera on the handle-bars.
Created / Published-1892.
Notes
- Color lithograph by Affiches-Camis.
- Promotional goal: Fr. K94. 1892.
- Exchange, Bibliothèque Nationale, Paris.
- This record contains unverified, old data from caption card.
- Caption card tracings: 1. Photographers 1892. I. Title. II. 1892.
Medium-1 print (poster) : color ; 130 x 100 cm.
Call Number/Physical Location POS - Fr .A48, no. 1 (D size) [P&P]
Repository-Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA
Digital Id-cph 3b49687 //hdl.loc.gov/loc.pnp/cph.3b49687
Library of Congress Control Number 2002721228
Reproduction Number-LC-USZC2-1787 (color film copy slide)
Online Format-image
Description-1 print (poster) : color ; 130 x 100 cm. | Woman riding a bike with a camera on the handle-bars. LCCN Permalink lccn.loc.gov/2002721228

www.loc.gov/item/2002721228/

Women Bicycle Racers of 1898

"Young women who will strip for the seven days bicycle race championship" - click through to Flickr to zoom

From the New York Journal and Advertiser, November 13, 1898, photographic supplement.
www.loc.gov/resource/sn83030180/1898-11-13/ed-1/?sp=15

Riders identified are Tillie Anderson (who today seems the best known of these riders, with an entry in wikipedia), Clara Drehmel, Lissette (last name not given, identified as "Mlle. Lissette" who was a French rider), Lizzie Claw.

This newspaper often tried to appeal to what one could consider a prurient interest - here, the notion of the women racers "stripping" in order to race (which is demonstrated in a sequence of photos on the page).


Lissette shown in mid-1890s photo from France

Profane Parrot Cyclist of 1896 (Human Interest Journalism)

The Sunday edition of the New York Journal of the late 1890s ran 40 pages or more, which was a lot of space to fill for a newspaper of that time. Some of the space was filled with human interest stories associated with fashionable or trendy topics of the moment, such as cycling. Below is a reasonably typical example, going on at considerable length about not very much.

It seems from other articles that at least at this point in the "bicycle craze" the New York Journal was not in favor of women wearing bloomers, so perhaps the paragraph (indicated in bold text below) is more an expression of the point of view of the publication and not just the parrot.

A Profane Parrot that Rides a Bicycle

A BICYCLIST parrot Is a conspicuous figure of life on the Boulevard and other uptown thoroughfares which are given up to the riders of the wheel. Everybody Is to be seen on a bicycle nowadays: old women, old men, babies and so forth. It is, therefore, not surprising that a parrot should make his appearance, for no creature could be more active, gay and sociable.

But this particular bird deserves mention for other reasons than the mere fact that he rides a bicycle. His conversational eccentricities are the amusement and the terror of the bicycling community.

The bird's full name is Don Cesar, and his owner Is J. J. Walsh, of No. 490 Sixth avenue, who tells endless stories of the indiscretions of the bird.



Do not expect to hear that Don Cesar turns the pedals of a bicycle himself by any means. Even If that were possible he is too averse to hard work to consent to any such arrangement. When he wants exercise he takes it on the wing, but the tongue is the member which he chiefly loves to agitate.

He perches in the middle of the handle-bars, on the spot where some enthusiastic bicyclists place their babies. There he stands and vociferates and scratches himself. Now and then he ducks his head down to see how the front wheel is going. It Is a wonder that he has never punctured the tire and dislocated his beak, but that has not happened yet.

Occasionally he leaves the handle-bars and takes a fly into the air. For a parrot he is a good flyer. Having taken a view of the crowd, of the river, or whatever may be in sight, he returns faithfully to the wheel. Mr. Walsh slackens his speed slightly when the bird goes flying.

Don Cesar Is a green and red parrot of South American birth. At one time he belonged, like most parrots, to a seafaring man. During that period of his career he visited the principal ports of the world and learned at least four different languages. These languages consist chiefly of profanity.

It brings prosperity to have a parrot on board ship, just as it means means certain misfortune to have a black cat. Once Don Cesar was left ashore in a saloon in Rio Janeiro by a thoughtless mariner. The ship had weighed anchor, but a deputation of seamen, having represented the gravity of the situation to the captain, the longboat was manned and Don Cesar was rescued. When he was safe on board he swore with such vigor that every one was satisfied that he would have brought evil to the ship If he had stayed ashore.

One of the most dangerous things a sea man can do is to give away a parrot who has learned nautical ways. But Mr. Walsh earned the friendship of a sailor to such an extent that he gave him his parrot, Don Cesar, a bird of rare experience. Now, the bird has changed his proud position of mascot on a ship to the equally eminent one of figurehead on a bicycle In the streets of this metropolis.

Don Cesar's favorite languages are Spanish, Italian, French and German. You may hear him almost any evening on the Boulevard carrying on a monologue of this sort: "Noni d'un chlen, veut-tu ficher la pals'?"."Corpo dl Bacco."."Tas d'idlots."."Caramha."."Allez au diable."."Pesta."."Ach du lieber Gott!"."Oh, la, la!"

According to his owner Don Cesar becomes speechless with rage at the sight of a woman in bloomers. He sets up a fierce, hoarse shriek, which he keeps up for several minutes, at the end of which he is in danger of falling off the handle-bars. Evidently he has old-fashioned ideas on the subject of women. He believes that they should stay in petticoats. When they are so attired he is very affable, submitting to have his head scratched, but, sad to relate, he does not relax his profanity.

Don Cesar enjoys bicycling very thoroughly, otherwise he would not go riding. He gets the best part of it, the fresh air and the excitement, without the exertion and the fatigue.

Of course he behaves himself interesting at other times than when he is on the wheel [bicycle].

It is his habit to salute his master when he returns home, at whatever hour this may be. His favorite greeting Is: "Hello, popper! I see you!"

He repeats this a number of times In a very loud voice, accompanying his remarks with a shrill, mocking laugh. This trick used to cause a little embarrassment to Mr. Walsh when the hour of his return was one which he did not wish to have announced to his family and all his neighbors. Any attempt to silence Don Cesar by threats of violence or throwing a cloth over him was met by louder shrieks. Don Cesar proved utterly incorrigible in this respect, and so his owner has become very regular in his hours.

https://www.loc.gov/resource/sn84031792/1896-04-19/ed-1/?sp=38


https://www.flickr.com/photos/backintheworld/

Nowadays people often use trailers to travel around by bike with their animals - usually dogs, such as this photograph reused from Flickr shows. I don't recall seeing any parrots on handlebars, though. I have thought about having a trailer for my family dog perhaps in a few years when she is a little older and might appreciate it (more).

Eliza Jane - A Woman Cyclist of 1895

Celebrated in song.

About this Item:
Title-Eliza Jane.
Created / Published-Boston, Massachusetts, c1895, monographic.
Genre-song sheet
Repository-American Song Sheets Library of Congress Rare Books and Special Collections

ELIZA JANE

Complete Song, Words and Music, 40 Cents.


I. Eliza Jane she had a wheel, its rim was painted red;
Eliza had another wheel that turned inside her head.
She put the two together, she gave them both a whirl,
And now she rides the Parkway sides a Twentieth Century Girl.

REFRAIN.

"Oh, have you seen Eliza Jane a-cycling in the park?
"Oh, have you seen Eliza Jane?" The people all remark.
They shout "Hi! hi!" as she rides by; the little doggies bark,
For we all have a pain when Eliza Jane goes cycling in the park.

II. No more do skirts enfold her, tho' much her papa grieves,
But baggy trousers hold her in their big pneumatic sleeves;
For where you see the bloomers bloom she sits her wheel astride;
She makes a sight would stop a fight as in the park she rides.

Oh, have you seen, etc.

III. This is emancipation year, the woman movement's on;
Eliza plans to be a man, 'tis sad to think upon.
She thinks she needs the ballot now her freedom to enhance,
She wants to pose in papa's clothes; it is for this she pants.

Oh, have you seen, etc.

IV. Eliza had a nice young man, (Alas! 'twas long ago.)
As gay and fair, as debonair, as any man you know;
He saw her ride in bloomers, he screamed and quickly fled,
And as he ran, this nice young man in trembling accents said:

Ooooh, have you seen, etc.

V. Eliza's ma no longer speaks unto Eliza Jane,
She claims that dime museum freaks give her a sense of pain.
Her dad no longer cashes checks but wanders in the streets,
And thus he cries, in sad surprise, to everyone he meets:

Oh, have you seen, etc.

VI. Eliza's brothers saw her ride, and each one took to drink:
They made it flow to drown their woe, so that they need not think;
But there are woes that will not drown, not even in a well,
And in the worst of their great thirst Eliza hears them yell:

( Hic ), Wow! Have you seen, etc.

VII. Eliza to her tailor went, to try her bloomers on;
She came out from the dressing room and said with angry frown:
"These blooming bloomers do not fit!" The tailor said, Oh, law!
Excuse me, lady, but you've got them on hind-side before!"

Oh, have you seen, etc.

VIII. Eliza Jane has learned to swear since she became a man,
And when she finds it suits her mind she says her little—Rats!
It isn't very often that she feels that swear she must,
But she says it and she means it when her little tire's bust.
Oh, have you seen, etc.

IX. No more upon her red rimmed wheel the fair Eliza flirts,
No more she rides the Parkway sides in bi-fur-ca-ted skirts;
A park policeman ran her in one day in early Spring,
Because he thought Eliza taught the little birds to sing:

Oh, have you seen, etc.

X. Eliza dear, we sadly fear you have not started right;
You will not see more liberty by being such a fright;
Asylums yawn for you, my dear, and in the books we read,
How bloomers that too early bloom soon fade and go to seed.

Oh, have you seen, etc.

From Songs of Suffrage where it explains:

With the introduction of the safety bicycle (the first modern bicycle) in the 1880s, women found a need for clothing that would allow them the freedom to ride. Susan B. Anthony was quoted in an interview as saying, "I'll tell you what I think of bicycling. I think it has done more to emancipate woman than any one thing in the world. I rejoice every time I see a woman ride by on a wheel. It gives her a feeling of self-reliance and independence the moment she takes her seat; and away she goes, the picture of untrammelled womanhood."[1] Women on bicycles were the object of humorous songs, some risqué, that marveled at the sight of a woman in trousers. "Eliza Jane," is a song published on a song sheet in 1895 that brings together the bloomers, the desire to vote, and the freedom of riding a bicycle, with lyrics that explain the scandalous risks the young lady was taking.

Title: The bicycle - the great dress reformer of the nineteenth century! / Ehrhart.
Creator(s): Ehrhart, S. D. (Samuel D.), ca. 1862-1937, artist
Date Created/Published: N.Y. : Published by Keppler & Schwarzmann, 1895 August 7.
Medium: 1 print : chromolithograph.
Summary: Print shows a man and a woman wearing knickers and bloomers, standing with a bicycle between them, shaking hands; to the right and left are examples of nineteenth century fashion.
Reproduction Number: LC-DIG-ppmsca-29031 (digital file from original print)
USA hdl.loc.gov/loc.pnp/pp.print
Notes: Title from item.
Illus. from Puck, v. 37, no. 961, (1895 August 7), centerfold.
Library of Congress
www.loc.gov/pictures/item/2012648650/

The "American Girl" of 1897 - to be Thankful for on Thanksgiving

In the St. Paul Globe newspaper this article was titled "The Queen of Thanksgiving" but the same article was published in a number of newspapers across the country (with various titles). The article has a large illustration portraying the American girl (or woman, really) of 1897 in various settings.


Full version of the illustration for the article about the "American girl" of 1897

The full text of this article in the Sunday November 21, 1897 issue of the St. Paul Globe talks about many positive aspects of the "American Girl," stating that, ". . . Thanksgiving day, '97, will find the American girl, as all other Thanksgivings have found her, not emancipated, for she never was enslaved, but free as the bright, frosty air that wooes her athletic frame, sending the bleed coursing swiftly through her veins and imprinting the charming tinge of robust health on her cheeks." One can argue that point, of course, but the description of women and cycling that follows seems to suggest that some things have been changing:

A good place to view her at her best will be from the sidewalk of any smooth-paved street of our cities, or from the pathways of macadamized country roads. Here, in the nattiest and newest of bicycle rigs, she will be seen, with her cheeks aglow, her bright eyes sparkling, her pretty hair dancing merrily in the wind, bowling along a-wheel at a pace that surely has nothing in common with chains or fetters, unless it be the bicycle chain that enables her to challenge the wind to a trial of speed and beat the old flirt in a canter. The manner in which the American girl has taken advantage of this glorious sport bears ample testimony to the fact that when she wants a thing she will have it and knows how to take the fullest advantage of what is hers by right. If the shades of the dear old grandmothers of the days of wheel and distaff could return to earth next Thursday and gather along the highways and byways where laughing, chaffing, free and happy columns of wheelwomen fly by, they will surely return to the land of shadows with feelings of regret that their lot was not cast in an era when women find more healthful means of employing their time than the laborious and confining duties of the old-fashioned home life. That the change is vastly for the better even the most disgruntled and cross-grained critic of the up to-date womanhood will admit. Instead of the pale-faced, narrow-chested woman of the wheel and distaff era, the spectator who chooses a front seat to view the passing show of Thanksgiving day '97 will see a long procession of rosy-cheeked, lithe-limbed, happy, healthy and wholesome specimens of femininity that speak contentment in every action.

Bicycling "American girls" - to be thankful for on Thanksgiving

There is a certain polemical aspect to this that speaks to the power relationship between men and women at that time which I think it is possible to separate from the way that women and and cycling are portrayed. In other words, trying to say that women are don't need emancipation because they enjoy the benefits of cycling is not a terribly good argument against emancipation, but the way women and cycling in 1897 are described here (aside from the period writing style) tells us that cycling was in fact a change for women at that time. Just not the last change . . .

"The Prudent Buyer Selects The Shirk"-1890s Bicycle Poster

I found the poster in the Library of Congress Prints & Photographs Online Catalog - The Prudent buyer selects the Shirk, the latest, neatest, and lightest bicycle in the world - It cures the blues. It saves the shoes. It brings content and merriment.

The full record for it is here.


My cropped version of this poster from the Library of Congress

Even though the Library of Congress has determined with reasonable certainty that this item was published in the 1890s and is well out of U.S. Copyright coverage (that is, before 1923) it is still not made available off the LC campus for some reason (other than a thumbnail). However various businesses that publish reproduction posters have had someone visit the Library in person and copy a high resolution file and although I can't make the 4.5 megabyte tiff available here I can at least provide a better image than the tiny thumbnail gif.

The colors as shown in this image are probably not accurate - below is an uncropped version where you can see a color strip but I can't interpret that since I don't have an original one handy to compare to. The main problem here is that this is a scan of a color slide made of the poster and not a scan of the original poster. In other words, a reproduction of a reproduction. It's better than nothing (much better!) but not as good as it could be.

LC record
Title The Prudent buyer selects the Shirk, the latest, neatest, and lightest bicycle in the world / Ottman, Chic.
Date Created/Published [189-]
Medium 1 print (poster) : color.
Summary Woman riding bicycle.
Reproduction Number LC-USZC4-3017 (color film copy transparency)
Call Number POS - US .O87, no. 1 (B size) [P&P]

One reason I was surprised to find this poster was that it is for a bicycle company I had not heard of before - generally bicycle posters from the 1890s seen now are for companies that were relatively well known then and anyone (like me) reading a bit about cycling in those days would know of them. I had not heard of the "Shirk" bicycle company.

To see if I could find any references to it, I searched The Wheel and Cycling Trade Review volume for 1897 and found passing two mentions of it (in 1,088 pages of text) - one was this somewhat amusing description of a suspicious bicycle sales company, where Shirk appears in a list of bicycle manufacturers of the day available from that dealer.

IN THE CAPITAL OF THE NATION.
The New York Cycle Co., of 434 Ninth, don't seem to care to talk very much about where they get their wheels or about their business methods in general. They offer "unredeemed" bicycles at "one-third" value, but just what they mean is past guessing. Among the cycles noted are Columbias, Syracuse, Pacers, Rambler, Spalding, March, Worlds, Flyers, Niagaras, Shirk, Liberty, Victors, etc., men's, women's and children's wheels. They also exchange or buy outright and take wheels for storage. Their advent has caused some under-surface speculation among the "regulars," and their plans are carefully noted, as this is about the first time, so far, that anything of the kind has been observed here.

Full article is available here.

At this distance in time (and given the relatively small amount of research I have done) I can't understand who the main target audience for this bicycle company was - the bicycle is described as the "latest and the neatest and the lightest" - would these have been considered particularly good sales values for women, since the poster features a woman rider? Other than "it saves the shoes" it makes no mention of this particular bicycle being a good value, which was often a theme of bicycle ads at this time. A puzzle.


Version as presented uncropped by the Library of Congress

Easter Cycling Events - 1897

In looking at American newspapers from the late 1890s, I found these two illustrations from the St Paul Globe and the Washington Times looking at cycling and Easter 1897.


An amusing illustration showing a variety of cyclists who would riding in an annual Easter cycling event

With an expectation that as many as 10,000 would be riding if there was good weather - that's a pretty high number. At the "opening of the Bicycle Easter Egg." From the St. Paul Globe, April 11, 1897.



In Washington the expectation was that "thousands" would be out riding - again, depending on the weather

From the Washington Times, April 18. 1897

Contented Woman Cyclist (1896 Poster)

Ride a Stearns [bicycle] and be content

From the Library of Congress' poster collections.

Title : Ride a Stearns and be content / J. Ottmann Lith. Co., Puck Bld'g, N.Y.
Creator(s): Penfield, Edward, 1866-1925, artist
Date Created/Published : [1896]
Medium : 1 print (poster) : chromolithograph ; 152 x 116 cm.
Summary : Poster advertising Stearns bicycles, showing a woman cyclist.
Reproduction Number : LC-USZC4-6645 (color film copy transparency)

This is a scan of a color transparency copy of the original and not a direct scan of the original item. I have cropped and rotated the image that is on the LoC site, which is here.

what is not so clear to us today from the poster is that the rider is coasting - since this is a "fixed gear" where is no coasting with feet on the pedals. In order to coast, you put your feet up on small posts on either side of the fork (that are not visible, but are there) while the pedals continue to go around.


A clearer image of coasting from 1896

In the example above, you can see that this bike does have a single brake for the front wheel, which is a "spoon brake" that is activated by a rod that presses down against the front tire. Trying to stop a coasting bike that didn't have a brake would involve somehow getting your feet back on the spinning pedals - not so easy.


Another woman rider coasting - she looks happier than just "content"

1896 Ice Bike Demonstrated by Woman Rider

Short article about ice bike demonstration in The San Francisco Call, January 19, 1896.

An Ice Bicycle.

A bicycle has been invented for traveling on ice or snow, says a New York paper. The long runner or skate, which replaces the front wheel of the bicycle, in itself is made for ice alone, but when the machine is used on snow-clad roads a metal shoe is fitted over the skate, and it is claimed that the machine will carry a rider over the ground, or rather snow or ice, at a greater speed than the regulation wheel.



Miss Davidson, who is young and enthusiastic, mounted the ice wheel at a rink last evening with but little difficulty, and, after a few "wobbles," started off around the rink gracefully. The half dozen spectators were astonished at the perfect work ing of the machine. After two or three turns about the rink Miss Davidson did a few fancy moves and then dismounted.

Latest In Bicycling Costumes for Women (1895)

From a long Los Angeles Herald article from August 4, 1895.


Illustration that accompanies the article

SHE DESIGNS BICYCLE SUITS - That is How a Chicago Woman Is Coining Wealth - SHE IS AN ARTIST IN THIS - Tells Fair Bicycle Riders the Kind of Clothes They Ought to Wear. Says Bloomers Will Soon Be the Street Costume.

This article is quite long, so I will only reproduce some of the text here - the full text is available in the online digitized version.

A clever little woman on the West Side is proving herself a benefactress of womankind and, at the same time, earning a good living. Her name is Helen Waters. She designs bicycle costumes for women, says the Chicago Times-Herald, Mrs. Waters is a petite young woman with big brown eyes and a "wide, kind smile." She is extremely brisk and energetic, and possesses some original ideas as to the proper garb for women who ride. She is a member of the Illinois Cycling club, and is a skillful and rapid rider, although she does not aspire to record-breaking honors.

. . . . .

"Do you mean to say that bloomers will be worn us a street costume next summer?"

"I don't wish to be too hopeful, but things look that way to me. I, for one, will be glad if it is so. A woman who has once worn bloomers dislikes to put on skirts. I know it from my own experience and that of others. As you see, I wear them about the office all the time and have even ventured to wear them on the street cars to and from my home. However, occasions arise when 'discretion is the better part of valor,' and then off go bloomers and on goes the skirt. I hope you won't laugh at me when I say I find the skirt uncomfortable."

This kind of cycling human interest story was common during the high years of the cycling craze in the 1890s. The article is about a woman in Chicago but was published in Los Angeles, likely published in numerous cities through some then-publication network for these kinds of not-very-time-sensitive stories. This particular story had two different elements of interest - the subject's changing of women's attire and her financial success, earning a "good living."

1897 View on "Woman and the Bicycle"

This book, The Out of door library. Athletic sports. published in 1897, has several chapters about cycling, including "Woman and the Bicycle" by Marguerite Merington. Apparently Ms. Mergington was a playwright. And the bibliographic record tells us that "The chapters in this volume originally appeared in Scribner's magazine."



The text is a little high-flown, or something.

Woman and the Bicycle
By Marguerite Merington

The collocation of woman and the bicycle has not wholly outgrown controversy; but if the woman's taste be for the royal pleasure of glowing exercise in sunlit air, she will do well quietly but firmly to override argument with the best model of a wheel to which she may lay hand.

Never did an athletic pleasure from which the other half is not debarred come into popularity at a more fitting time than cycling has to-day, when a heavy burden of work is laid on all the sisterhood, whether to do good, earn bread, or squander leisure; no outdoor pastime can be more independently pursued, and few are as practicable as many days in a year. The one who fain would ride, and to whom a horse is a wistful dream, at least may hope to realize a wheel. Once purchased, it needs only to be stabled in a passageway, and fed on oil and air.

No, this is not nearly as readable as Bicycling for Ladies written by Maria Ward and published in 1896.

Interesting that the text does reveal something about the anticipated pace of riding for a woman rider:

An hour of the wheel means sixty minutes of fresh air and wholesome exercise, and at least eight miles of change of scene; it may well be put down to the credit side of the day's reckoning with flesh and spirit.

Also, as usual much time is spent discussing the best attire for women riders. Here the author indicates that for some riders, special attire was not practical since they might be riding to or from work (for example) that would obviate the ability to wear anything other than clothes suitable for the destination - and that this is OK.

Short rides on level roads can be accomplished with but slight modification of ordinary attire ; and the sailor-hat, shirt-waist, serge skirt uniform, is as much at home on the bicycle as it is anywhere else the world over. The armies of women clerks in Chicago and Washington who go by wheel to business, show that the exercise within bounds need not impair the spick-and-spandy neatness that marks the bread-winning American girl.

The phrase, "armies of women clerks" reminds me of the 1899 video of Parke-Davis employees leaving at the end of the work day that shows a fair number of bicycle riders, both men and women - dressed not in special cycling clothes but in their regular work attire (or so it appears).


As usual, poor cycling posture is subject to criticism, but a man is used to model this rather than a woman

The Bicycle - the Great Dress Reformer (1895)

As noted in any earler post, the Library of Congress has digitized many of the "centerfold" color illustrations from Puck magazine - this one from 1895 demonstrates how both men and women's attire were affected by the interest in cycling. And 1895 was not yet the height of the cycling craze.


Both men and women's attire were affected by the "bicycle craze"

Title - The bicycle - the great dress reformer of the nineteenth century! / Ehrhart.
Creator(s) - Ehrhart, S. D. (Samuel D.), ca. 1862-1937, artist
Date Created/Published - N.Y. : Published by Keppler & Schwarzmann, 1895 August 7.
Medium - 1 print : chromolithograph.
Summary - Print shows a man and a woman wearing knickers and bloomers, standing with a bicycle between them, shaking hands; to the right and left are examples of nineteenth century fashion.
Reproduction Number - LC-DIG-ppmsca-29031 (digital file from original print)
Notes: Title from item.
Illus. from Puck, v. 37, no. 961, (1895 August 7), centerfold.

Full record and TIFF.

Sarah Grand & Cycling - A Later View (1899)

Sarah Grand was a British feminist who traveled in the United States to lecture (and presumably sell more of her books). In an earlier post, I looked at an 1897 article about her suggestions for optimal cycling attire for women. (This article was published as filler material in a number of newspapers in the United States.)

I have since found a similar sort of filler item, but a shorter one from 1899, Sarah Grand and Her Bike, that uses a photo of Ms. Grand to demonstrate that she was not a "new woman" who practiced what she preached - she did not "ride in bloomers or trousers."


Illustration with article from the Kansas City Journal., June 04, 1899

SARAH GRAND AND HER BIKE
The Creator of the "New Woman" Does Not Hide in Bloomers or Trousers.
From the New York Journal

Sarah Grand, the author of "The Heavenly Twins" and the creator of the new woman in literature, rides a bicycle. We might expect her to ride in bloomers or trousers, or some other garment unlike any thing worn by the "old" woman, but instead of that we find her dressed in skirts of a decorous and graceful length.

Mme Sarah Grand has had herself photographed in bicycling costume just as she is about to mount her wheel. She has had this done because she wishes the public to know just what an ideal new woman looks like. You may see her on this page.

Sarah Grand is entitled by marriage to bear the good old Irish name of "McFall," but with curious taste she prefers the remarkably pretentious name of "Grand." Her husband was an army surgeon and she was separated from him. It is said that he was the original of the wicked colonel In "The Heavenly Twins," who was fond of long glasses of brandy and soda and of pretty girls, and for these sins was boycotted by his voting wife and brought to a sudden and terrible end by the author.

Sarah Grand is engaged regularly in literary work, but she achieved no success comparable to that of "The Heavenly Twins."

The full article as it appeared

A little research reveals that the photograph of Sarah Grand that was the basis for the newspaper illustration, claiming to show her as a "new woman" not wearing her suggested cycling attire was from 1896, before she made her declaration against using traditional women's clothing for cycling.

Christmas-time & New Woman Cycling Attire (1897)

Sarah Grand was a British feminist and writer - somehow an article about her development of a more modern cycling costume for women riders came to be published in a newspaper in Los Angeles in 1897. Wikipedia notes that she had traveled in the U.S. to publicize her novel mentioned in the article. The byline for the article is given as London.

From "The Herald" (Los Angeles) December 26, 1897.


The illustration shows a much more structured design than the article describes

I have reproduced the highlights of the article, below.

By a judicious combination of ideas based on Shakespeare and common sense, Madame Sarah Grand, the world famous authoress of "The Heavenly Twins," has evolved a bicycle costume for women that is a startler. She calls her new bicycle dress for women her "Christmas bicycle costume,"and considers that in devising it she has given additional cause for rejoicing among women during the coming holiday season.

To begin to explain Madame Grand's costume, it is necessary to take the Rosalind of Act II, in "As You Like It," and, using her as a lay figure, to build the Madame Grand costume around her. Madame Grand is an enthusiastic admirer of Shakespeare, and the more she studied the free and easy grace of Rosalind of the russet doublet and hose, the more she became convinced that, had bicycles been in use during the Shakespearian era, the doublet and hose would have been the costume that level headed women would have adopted. . . .

So Madame Grand proceeded to think out her Rosalind bicycle costume, discarding one by one the nineteenth century articles of dress that fettered the sex when awheeling.

"No waist for me," said Madame Grand, at the beginning of her studies. "A waist on a bicycle is absurd. I can never bear to ride In anything tight, especially corsets, and I like to feel free and comfortable." And away went the corsets, and after them the waist, then the skirt and the bloomers, until Rosalind the lay figure was deprived of everything that pertained to modern costuming, and stood ready to be rehabilitated . . .

The costume is made for winter wear, although it can be fashioned readily enough into an attractive summer rig for the athletic girl. It is made of white fur . . .

"Nothing is unfeminine for a woman," she said, when asked about this point, "unless she chooses to make it so. I think we are beginning to show nowadays that we can do many things which used to be thought 'unfeminine,' and be womanly nevertheless. Bicycling Is one of them, and the wearing of a rational bicycle costume goes with it. The skirt is evidently not the thing. I have had two bad accidents from mine catching, and it was made by an excellent tailor. This is what led me to devote a good deal of thought to the subject, and made me come to the conclusion that an
easy and pretty costume might be modeled from Rosalind's dress."

One of several copies of a photo of Sarah Grand with a bicycle in 1896, but nominally under copyright of some sort.

Unfortunately I do not see any immediate possibility for access to Cycling World Illustrated, the magazine from which the image of Ms. Grand and her bicycle was apparently taken. The Online Bicycle Museum does have some pages of 1896 issues on line that are entertaining and particularly about women riders, but not complete issues.

Since I wrote this post, I discovered another later article about Sarah Grand and her cycling attire that I have a separate blog post about.

Early Bike Commuters - 1899 Video

44 second video copied from American Memory

It appears that the film starts just as the rush of workers on bicycles and on foot begins at the end of the work day. Was the policeman at left there every day to maintain order? While the copyright deposit date is given as 1903 the actual date of filming is July 5 1899. They would be just back from the previous day's national holiday (one assumes). Filmed in Detroit.


Screen grab - note a fair number of the riders are women

TITLE - Parke Davis Employees

CREATED/PUBLISHED - United States : American Mutoscope & Biograph Company, 1903.
SUMMARY - Photographed from a single-camera position, this film encompasses a scene of a large number of people either walking or riding bicycles as they leave what appears to be a factory. The title indicates they are employees of a drug firm.

NOTES - Copyright: American Mutoscope & Biograph Company; 11May03; H31670.
Cameraman, F. S. Armitage.
Cameraman credit from Niver's, Early motion pictures, p. 245.
Duration: 0:44 at 20 fps.
Filmed July 5, 1899 in Detroit.
Source used: Niver, Kemp R., Early motion pictures, 1985.
Received: ca. 1991 from LC lab; ref print and dupe neg; preservation; Paper Print Collection.


Number of riders builds . . . no one wears a helmet, of course, but they all seem to wear hats


One fellow politely doffs his hat to the police officer

"Cycling a Benefit to Women" (1897)

From the Summer Washington DC Evening Times cycling page

Cycling a Benefit to Women.

Women, perhaps more than men, are benefited by wheeling. Before the bicycle was perfected, horseback riding was the only outdoor exercise of the kind suited to feminine needs, and good, gentle, sound riding horses were hard to find, expensive to buy, and still more expensive to take care of, so that few women kept one. Good bicycles, although costly, seem to be within the means of almost every person; at all events hundreds and thousands of women and girls who never could have owned a horse go gaily over our streets and roads on bicycles that are quite equal in price to any but the finest Kentucky steeds. The good effect of this change from sedentary indoor life to free and exhilarating exercise in the open air is already quite noticeable even to the casual observer. Prejudice has rapidly given way before the fascinating progress of what at first seemed but the fad of an hour. and we have already become accustomed to seeing sunbrowned faces, once sallow and languid, whisk past us at every turn of the street. The magnetism of vivid health has overcome conservative barriers that were impregnable to every other force. And this is, let us hope, but the beginning of a revolution, humane and soundly rational, which will bring an era of vigorous physical life to women.

From the Washington Evening Times.
chroniclingamerica.loc.gov/lccn/sn83045462/1897-07-31/ed-...
July 31 1897